Eulàlia Rovira (Barcelona, 1985) and Adrian Schindler (Périgueux, 1989) have been collaborating since 2013. Their work traces the forms that power dynamics take in the things sorrounding us. Through a performative use of the camera and an experimental approach to text, their videos question the centrality of the eye that looks and the voice that narrates.

They have had solo exhibitions at the Centro Cultural de España in Mexico, Mexico City (2024), The Green Parrot, Barcelona (2022), Pradiauto, Madrid (2021), Homesession, Barcelona (2019), Musée de Bibracte, Saint-Léger-sur-Beuvray (2018), Espai Dos-Sala Muncunill, Terrassa (2018), and Fireplace, Barcelona (2016). They have presented their work in group exhibitions, performances, or screenings at M|A|C, Mataró (2023), Festival Márgenes, Madrid (2022), Museu Nacional d’Art de Catalunya – LOOP Festival, Barcelona (2022), SOLAR. Acción Cultural, Tenerife (2022), FID Marseille (2021), Arts Santa Mònica, Barcelona (2020), ethall, L’Hospitalet (2019), Galerie Martin Janda, Vienna (2018), àngelsbarcelona (2017), CC Montehermoso, Vitoria (2017), and Turf Projects, Croydon (2016). They received the Premis Ciutat de Barcelona grant from ICUB (2021), the Visual Arts grant from the Güell Foundation (2018), and the Art Jove Production Prize for creative projects from Sala d’Art Jove (2015). They hold degrees in Fine Arts from the University of Barcelona and the École des Beaux Arts de Paris, respectively, and have completed the postgraduate program Art in Context at UdK Berlin.