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Entrails, flock of sheep, spring. Pigeons cooing and singing with their mouths closed. Vultures, bones, flowers and hands. Hands that feed, milk, caress, shear, film, hands that kill. Hands that inhabit the doubts and contradictions of handling other species.
In GORRIA Maddi Barber approaches the Pyrenean territory and its human and non-human inhabitants, where she portrays the frictions and challenges generated by the contemporary rural landscape.