After the deliberation of the jury formed by Andrés Duque, Pablo Martínez and Marta Sesé, 31 has been selected out of 341 submissions. The selected videos will be catalogued, disseminated and distributed nationally and internationally by Hamaca on a non-exclusive basis, and may form part of projection, research or training programs.

• La canción de los padres, de Ariel F. Verba
• Touching Blues, de Aimar Pérez Galí
• Villa Betania, de Amaya Hernández Sigüenza
• Ways to Kill. Yoro S., de Alex Garcia Martinez
• I Can Only Dance to One Song, de Arash Fayez
• Amnesia colonial (estupor), de Claudia Claremi
• Hailstone, de Claudia Claremi
• Hermana Mamífera, de Consol Llupià
• Trans*Plant: Open the molecule - Primera intravenosa de clorofila, de Quimera Rosa
• Knot the tongue, grasp a stream II, de Cristina Mejías Gómez
• Lesboterrorismo, de Koba Gómez
• TVEE/ Televisió Espai Expositiu, de Miniature
• Un viento roza tu puerta, de Jorge Castrillo
• GORRIA, de Maddi Barber 
• Paraíso, de Maddi Barber y Marina Lameiro
• La llamada: ¡Oh Jóvenes!, de Mariokissme 
• Anoche soñé que volvía a la mansión del vício, de Mariokissme 
• Epitafio para Alberto Cardín, de Mariokissme 
• ID copy, de Candela Cienfuegos
• azul, de Candela Cienfuegos
• mar(i)cona, de Candela Cienfuegos
• Possessing landscapes, de Martí Madaula Esquirol
• Memoria Luz, de Martin Mur
• La sangre es blanca, de Óscar Vincentelli
• Vecines, de Laboratorio Reversible 
• Habitándome, de Rio molinengo
• Morir (nacer) guay, de Sarai Garcia Cumplido
• Yo me lo creo, de Terrorismo de autor
• La gran ilusión, de Terrorismo de autor
• La rebelión, de Violeta Ospina-Domínguez
• CABANYAL, de Yago Alcover Pujol

The jury makes the following evaluation of the selection:

After viewing more than three hundred pieces, the jury has selected works of high artistic value and that offer a wide spectrum of proposals that help us understand and reflect on the state audiovisual artistic production. Among the body of entries of 2022, the concern for historical memory, registration and personal archives, as well as the predominance of narrative subjectivity, anthropological approaches and visibilization of dissident identities stand out; interests and concerns about the peremptory nature of life, interspecies relations, belonging, sexual dissidence, the vindication of analogical formats, which as a whole display an excellent sample of our present. 

The videos are available at https://hamacaonline.net/titles/